# SB 10.5.13 ## Text > avādyanta vicitrāṇi > vāditrāṇi mahotsave > kṛṣṇe viśveśvare 'nante > nandasya vrajam āgate ## Synonyms *avādyanta*—vibrated in celebration of Vasudeva's son; *vicitrāṇi*—various; *vāditrāṇi*—musical instruments; *mahā*-*utsave*—in the great festival; *kṛṣṇe*—when Lord Kṛṣṇa; *viśva*-*īśvare*—the master of the entire cosmic manifestation; *anante*—unlimitedly; *nandasya*—of Mahārāja Nanda; *vrajam*—at the pasturing place; *āgate*—had so arrived. ## Translation **Now that the all-pervading, unlimited Lord Kṛṣṇa, the master of the cosmic manifestation, had arrived within the estate of Mahārāja Nanda, various types of musical instruments resounded to celebrate the great festival.** ## Purport The Lord says in *Bhagavad-gītā* [[bg/4/7|(Bg. 4.7)]]: > yadā yadā hi dharmasya > glānir bhavati bhārata > abhyutthānam adharmasya > tadātmānaṁ sṛjāmy aham "Whenever and wherever there is a decline in religious practice, O descendant of Bharata, and a predominant rise of irreligion—at that time I descend Myself." Whenever Kṛṣṇa comes, once in a day of Brahmā, He comes to the house of Nanda Mahārāja in Vṛndāvana. Kṛṣṇa is the master of all creation (*sarva-loka-maheśvaram* [[bg/5/29|[Bg. 5.29] ]]). Therefore, not only in the neighborhood of Nanda Mahārāja's estate, but all over the universe—and in all the other universes—musical sounds celebrated the auspicious arrival of the Lord.